In just two weeks, North delivered a spectacular score but, late in the day, Kubrick chose to abandon North’s music in favour of the Strauss which he had previously used in an early show reel of footage from 2001. Clarke was originally going to write the screenplay for the film, but this proved to be more tedious than he had anticipated. Stanley Kubrick directed the first film, 2001: A Space Odyssey (1968). Movie poster for ‘2001: A Space Odyssey’ 1968. 7am - 10am, String Quartet No.2 in D major (3) Sent to South West Africa—today’s Namibia—to scout locations and supervise large-format photography of desert landscapes for the “Dawn of Man” sequence, Kubrick’s assistant Andrew Birkin sent Polaroid shots back to London of a fascinatingly primitive-looking giant spiny aloe tree, or kokerboom in Afrikaans. All Rights Reserved. Stanley decided to take his chances with the universe.” In the end, Mariner’s pictures showed a harsh, cratered, moon-like surface, which immediately tamped down the hope that intelligent life—or indeed, any life—might exist on that planet. 2001: A Space Odyssey (1968) Filming & Production. Kubrick had no involvement in any of the later projects. Or much of a strong central character, for that matter—unless you count a certain willful computer. In fact, the director had promised Clarke that their novel could be published before the film came out. STANLEY Kubrick’s 2001: A Space Odyssey was a film about…Well, what is about? The use of Strauss's ‘Sunrise’ theme in 2001: A Space Odyssey made it one of the most popular pieces of classical music. After deciding on Clarke's 1948 short story "The Sentinel" as the starting point, and with the themes of man's relationship with the universe in mind, Clarke sold Kubrick five more of his stories to use as background materials for the film. LISTEN AGAIN: Saturday Night at the Movies, Sci Fi special >. Director Stanley Kubrick on set. A 1994 article in American Cinematographer says, "When Stanley Kubrick made 2001: a Space Odyssey in 1968, he claimed to have been first to fly actor/astronauts on wires with the camera on the ground, shooting vertically while the actor's body covered the wires" but observes that Klushantsev had preceded him in this. In 1969, Kubrick told Joseph Gelmis:. Peter Hyams directed the second film, 2010 (1984). The film’s complex, kinetic sets were unintentionally hazardous. As the film lurched into existence—without a set plot line, much less a finished script—its behind-the-scenes reality often proved as outlandish as its futuristic fiction. 2001 ended up becoming the highest-grossing film of 1968—the only time Stanley Kubrick ever achieved such a standing. (For the moonscape scene, for example, Kubrick had 90 tons of sand dyed gray.) Before the days of digital effects, he had 90 tons of sand dyed dark gray to simulate the surface of the moon. Alien insurance. (Credit: Mary Evans/MGM/Polaris/Stanley Kubrick/Ronald Grant/Everett), Some of the film’s most iconic features were decided during production for purely practical reasons. Most notably, the setting for the part three (of four) in the book is not Jupiter, as in the film, but Saturn. In 1991, 2001: A Space Odyssey was deemed culturally significant by the United States Library of Congress and selected for preservation in the National Film Registry. The film’s turning centrifuge, which was 38 feet in diameter, 10 feet wide, and weighed 30 tons, caused particular problems. That meant that the most convincing film about space exploration ever made would be captained and crewed by groundlings. The mysterious black monolith began as a translucent Plexiglas tetrahedron, which ultimately assumed a monolith shape because Plexiglas cools better that way. Both the novel and the film are partially based on Clarke's 1948 short story "The Sentinel", an entry in a BBC short story competition, and "Encounter in the Dawn", … In another incident, Kubrick refused to let Weston punch holes in the back of his space helmet, which meant the stuntman was perpetually on the verge of blacking out from carbon-dioxide poisoning as he engaged in complicated maneuvers while hanging high above the camera. Stanley Kubrick and lead actors Keir Dullea and Gary Lockwood were all afraid of flying, with each traveling to England by boat for filming. Arthur C. Clarke wrote the novel. A leopard-proof cage. Commandeering a small convoy of trucks and workers, Birkin fulfilled Kubrick’s wishes, illegally cutting down dozens of kokerbooms as night fell, then transporting them at great cost across the desert so they could be positioned where Kubrick wanted them. For the film, see, 1968 science fiction novel written by Arthur C. Clarke, Learn how and when to remove this template message, The Collected Stories of Arthur C. Clarke, Interplanetary Flight: An Introduction to Astronautics, How the World Was One: Beyond the Global Village, An Encyclopedia of Claims, Frauds, and Hoaxes of the Occult and Supernatural, Arthur C. Clarke's World of Strange Powers, Arthur C. Clarke Institute for Modern Technologies, https://en.wikipedia.org/w/index.php?title=2001:_A_Space_Odyssey&oldid=982957474, Short description is different from Wikidata, Articles needing additional references from January 2013, All articles needing additional references, Creative Commons Attribution-ShareAlike License, This page was last edited on 11 October 2020, at 11:42. FACT CHECK: We strive for accuracy and fairness. And a heroin-addicted ape-man. Edit. Reactions to the premieres of 2001 in Washington, D.C. and New York City in the first week of April 1968 were so negative that Clarke left the New York premiere in tears at the intermission. It was nominated for four Academy Awards, and received one for visual effects. American mime Dan Richter, who both brought to life the lead man-ape “Moonwatcher” and choreographed the whole “Dawn of Man” prehistoric prelude, was a hard-core heroin addict throughout production—a fact he initially hid from Kubrick. Early in pre-production Kubrick proposed to Clarke that they co-write a novel first, then base their film script on it—rather than the other way around. Yes No. (Credit: Mary Evans/MGM/Ronald Grant/Everett). The first scenes to be filmed, though, the visit of Dr Heywood Floyd (William Sylvester) … It also won the Kansas City Film Critics Circle Best Director and Best Film awards of 1968. Clarke wrote the novel adaptation independently. But after paying massively for the big clear Plexi slab, Kubrick decided it didn’t look right—so production designer Tony Masters suggested the featureless black one, which Kubrick approved. (Credit: Sunset Boulevard/Corbis/Getty Images). Kubrick later came up with the aphorism, “Never let your ego get in the way of a good idea.”, Arthur C. Clarke, worried that Kubrick might reject further collaboration with him because he was gay, one day mustered the nerve to confront the issue head on. Actor Keir Dullea reflected in the lens of the HAL-9000 supercomputer. In another example, the idea that the HAL-9000 supercomputer would discover the astronauts’ plot against him by reading their lips originated as an offhand suggestion by the film’s associate producer, Victor Lyndon. 2001: A Space Odyssey is the 1968 science fiction novel written by Arthur C. Clarke and the 1968 film directed by Stanley Kubrick. On one occasion Massachusetts Institute of Technology artificial-intelligence pioneer Marvin Minsky visited the set, and Kubrick ordered that the centrifuge be turned so the computer scientist could see it in action. Minsky narrowly avoided being hit by a falling pipe wrench, which would certainly have killed him had it hit him. Case in point: the anecdotes below, adapted from the new book Space Odyssey: Stanley Kubrick, Arthur C. Clarke and the Making of a Masterpiece. Choosing his moment, he abruptly announced during one of their meetings, “Stan, I want you to know that I’m a very well-adjusted homosexual.” “Yeah I know,” Kubrick responded without missing a beat, and continued discussing the topic at hand. Jack Kirby wrote and pencilled both the adaptation and the series, which were published by Marvel Comics beginning in 1976. North believed, until his dying day, that his score for 2001 was the better accompaniment to Kubrick's images and that his talents had been grossly undervalued. These are just a few of the odd details behind the making of one of history's most revered movies. Seeing the shots, Kubrick grew excited, and asked Birkin to cut down and transport the highly protected trees far to the north of their natural environment. Take a journey through the history of science fiction and examine some of the cultural influences behind Stanley Kubrick’s 1968 visionary film ‘2001: A Space Odyssey,’ including the Vietnam War, the civil-rights movement and space exploration. This brought a relieved smile to Clarke’s face. When he described the scene later to his wife Christiane, Kubrick said that Clarke had sounded “like a school teacher. The novel has numerous differences from the film. With Keir Dullea, Gary Lockwood, William Sylvester, Daniel Richter. He was devastated. The Lost Worlds of 2001 (1972) elaborates on Clarke and Kubrick's collaboration.[4]. Aled Jones A summary of Part X (Section5) in Arthur C. Clarke's 2001: A Space Odyssey. During production, Kubrick at first refused to let spacewalking stuntman Bill Weston wear a second cable for safety, although he was 30 feet above a hard concrete studio floor. In the end, they were too small in the resulting background stills used for the “Dawn of Man,” and Kubrick had the film studio-art department fabricate fake kokerboom trees for him back in England. The black screen intro from 2001: A Space Odyssey. By 2002 it ranked as the 6th most important film in history—a position it retained in the last such survey, in 2012. 2001: A Space Odyssey was the name of an oversized comic book adaptation of the 1968 film of the same name and a 10-issue monthly series "expanding" on the ideas presented in the film and the eponymous Arthur C. Clarke novel. Some 241 audience walkouts were recorded at the New York screening alone, and the city’s leading film critics almost unanimously issued scathingly negative reviews. The first 22 bars of 'Also Sprach Zarathustra' became a classical hit because of Kubrick's masterpiece. These included Richard Strauss's "Also Sprach Zarathustra", Johann Strauss' "Blue Danube Waltz", and music by twentieth-century composers Aram Khachaturian and Gyorgy Ligeti. [1] Additionally, important elements from two more Clarke stories, "Encounter in the Dawn" and (to a somewhat lesser extent) "Rescue Party", made their way into the finished project. The rendition is gradually slowed down to a progressively lower sample rate, which then creates a strikingly electronic, distorted, basso profundo. When it first jumped off its high hill onto Duggan, who was wearing a man-ape suit, it soon noticed Richter, also in his suit, and went after him. Film lights don’t like to go upside down, and when they turned within the centrifuge, they frequently exploded, showering hot glass down on the film crew, which had to wear hard hats at all times. Luckily Duggan tackled the leopard just in time. Showing all 17 items Jump to: Filming Locations (15) Filming Dates (1) Production Dates (1) Filming Locations. He developed it concurrently with the film version and published it in 1968, after the film's release. This almost resulted in a serious accident when individual strands of Weston’s sole cable broke under his weight. He was very pleased that I don’t care, and he doesn’t know how much I don’t care.”, Behind-the-scenes shot of the centrifuge set. Actors Kier Dullea and Gary Lockwood in ‘2001: A Space Odyssey.’ (Credit: Dmitri Kessel/The LIFE Picture Collection/Getty Images).
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