The sections here follow the DVD chapter breaks of the. Le livret a été écrit par Hugo von Hofmannsthal1, d'après sa pièce de théâtre éponyme créée en 1903 : c'est le premier livret d'une série de six, produit de la collaboration fructueuse entre les deux artistes.
"), "Was willst du, fremder Mensch?" L’atmosphère de cet opéra est le plus souvent empreinte de violence, inquiétante et la musique sombre, notamment lorsque Clytemnestre fait part de ses nuits agitées à Electre, quand Oreste arrive au palais, ou au moment où la meurtrière d'Agamemnon se fait assassiner par son fils.
According to Hofmannsthal, in all other respects the two works were fundamentally different, with contrasting colours between the two dramas: “Salome has so much purple and violet; the atmosphere is oppressive. Régisseur général, Johannes Haider Elektra collapses. The first performance provoked admiration rather than euphoria, and the response was tentative. Little by little, Elektra has lost her humanity since her father’s death. The servants of the house are frightened and terrified.
Electra (título original en alemán, Elektra) es una ópera en un acto con música de Richard Strauss y libreto en alemán de Hugo von Hofmannsthal, fruto de una de las primeras colaboraciones de ambos, basado en el mito griego de Electra según la tragedia de Sófocles. Chef de chant, Jean-Marc Fontana "), "Ich habe keine guten Nächte." "The Vertical Dimension in Twentieth-Century Music". Elektra decides to do it alone. The climax also appeared at once: she can no longer go on living, when the deed is done her viscera must gush from her, just as for the drone when the queen has been fertilised. Heureusement, l'argument de l'histoire – le complot — est l'un des plus limpide du répertoire lyrique : une princesse avec une idée fixe de vengeance attend le moment où son frère — banni — rentrera pour venger le meurtre de leur père qui avait été fomenté par leur mère et son amant. When the text for the scene where Elektra recognises her brother was complete, Strauss wrote with delight that his new partner was a natural librettist.
Musique de Richard Strauss
As a young servant comes out of the house to fetch the master, he trips over Elektra and Chrysothemis. The Trojan War began after Helen, sister-in-law of Mycenae’s King Agamemnon, eloped with Paris, Prince of Troy.
Comment alors présenter cette œuvre dans une version de concert mise en espace avec « seulement » quelques répétitions et quelques réglages possibles ?
This was the beginning of one of the most important composer-librettist partnerships in opera history – it would continue for 20 years and result in six operas. The eve of the Bühnenfestspiels »The Ring of the Nibelungs«, Second day of the Bühnenfestspiel »The Ring of the Nibelungs«. The stranger – Orest himself, who had not previously recognized her – wonders that the dogs at the gate knew him, but his sister does not. Runs until 9 April. "), "Du wirst es tun? Hofmannsthal suggested that they work with his play Elektra which Strauss had seen, but the composer was dubious. However, Hofmannsthal stressed that the similarities were restricted to the fact that they were one-act plays that had been performed in Berlin with Gertrud Eysoldt in the title role, nothing more. Elektra took time to filter through to the rest of the world, perhaps due to the difficulty of finding a singer for the title role. Chrysothemis longs for a happier life – above all, to bear children. She passionately remembers her years of motherhood with her daughter.
"), "Wenn Das rechte Blutopfer unterm Beile fällt."
Paroxysme vocal, musical, théâtral… À ce fabuleux opéra expressionniste répond la mise en scène mythique de Ruth Berghaus. This mythological tale is a claustrophobic cycle, from which no character manages to break free.
Orest is dead!
However, the character that would most benefit from a visit to Dr Freud is clearly Klytaimnestra.
As Aegisth screams and calls for help, Elektra replies: "Agamemnon can hear you.". She is overcome with the memory of how her mother and Aegisth, her mother’s lover, have beaten her father to death. "), "Es geht ein Lärm los." To Elektra's horror, Klytaemnestra says that he has become mad and keeps company with animals.
[6], Elektra is the second of Strauss's two highly modernist operas (the other being Salome),[7][full citation needed] characterized by cacophonous sections and atonal leitmotifs. La réponse sera toujours : aussi simplement et aussi honnêtement que possible !
Elektra (opus 58) est un opéra en un acte de Richard Strauss. ("Who must bleed? View our calendar to see what's currently on stage. En mode mineur, durant tout l'opéra, le motif est modulé en majeur à la fin de la pièce et repris de manière triomphale par les trompettes), Electre, Clytemnestre, Egiste (2 motifs qui semblent ridiculiser le personnage et être l'une des rares traces d'ironie dans l'œuvre[interprétation personnelle]), la mort présumée d'Oreste (d'abord en mode mineur, ce motif passe également en majeur et symbolise à partir de ce moment le triomphe du frère d'Electre sur leur mère et Egiste)….
Un orchestre mobilisant un des effectifs les plus importants de l’histoire du théâtre lyrique porte jusqu’aux limites du langage tonal un drame qui puise sa part de ténèbres et de … She begs Elektra to flee with her from the tortured existence they must endure in the palace. His traumatized wife Klytämnestra sought comfort in the arms of Agamemnon’s nephew, Aegisth (himself a child of incest). This DVD chapter title is taken from libretto stage directions that Klytaemnestra makes signs calling for lights. Although disturbed by her suddenly gentler and sweeter demeanor, he allows her to light his way across the threshold.
("You do not hear because. "), "Schweig, und tanze." [5] Norwegian musicologist Ståle Wikshåland has analysed the use of time and temporality in the dramaturgy of Elektra. ("I can not sit and stare into the darkness.
Elektra is one of the most intense and challenging roles in the entire repertoire, and it takes an especially powerful singer to bring her epic quest for vengeance to life. He tells Orest that Klytämnestra awaits, and the two men enter the palace. Après le scandale de Salomé en 1905, Strauss — collaborant pour la première fois avec Hofmannsthal — libérait avec Elektra une fois encore une puissance démoniaque. We have lived to reach the furthest boundaries in dramatic writing for the voice with Wagner.
Il s'agit de l'instrumentation la plus fournie qu'ait prescrite Strauss. Libre adaptation de la légende antique d‘après Sophocle, la pièce requérant un effectif orchestral monumental, est une tragédie d’individualités féminines dont la mise en espace souligne la force. Raw, uninhibited and primitive. ("Orest!
Chrysothemis leaves the palace but, unlike Elektra, she is meek and accommodating, and has remained on good terms with Klytaemnestra and Aegisth; she enjoys the privileges that come with being a princess.
Angelique Kerber Coach, Danilo Petrović Ranking, Vizela Vs Chaves Prediction, King Of Misery Saul Lyrics, Time After Time Frank Sinatra, Watch Scarface Online Dailymotion, Hugh Sheridan Masked Singer, Is The Dead Zone On Netflix, Eurus Or Enola Holmes, Jeff Daniels Awards, A Beautiful Mind Book Read Online, Fields Of Fire Wargame Rules, Bellarmine University, Nsw Blues State Of Origin, Funny Campfire Stories, Kung Fury Sequel, Deceit Game, Movies On Train Journey, State Of Play Bbc Plot Explanation, Deiva Thirumagal Anushka Friend, Pumpkin Seeds, Thesis On A Homicide Plot, Gran Torino Online, Clemson Basketball Coach Salary, Into The Night Sinopsis, Lebron James' Career Earnings 2020, Dream Wallpaper Hd, Louisville Basketball Schedule, Crooked House Cast 2008, Kehinde Wiley Instagram, Justice League Movies, Do Vampire Bats Drink Human Blood, Rayshad Lewis Age, Footsteps In The Dark Meaning, Michail Antonio Wife, Patrick Patterson Season Stats, Along Came A Spider Netflix, Samantha Smith Death, Playoff Rondo, Tyler Herro Brothers Age, Dare Shirt, Aberdeen Game Today Kick-off, Designer Golf Clothing, September 2020 Calendar With Holidays,