The question of sex will take care of itself. I might be able to say it and others might recognize it. Our motto is: Don't quote it if you can't source it. I have always been concerned with painting that simultaneously insists on a flat surface and then denies it. All I had to do was start work on that print. For example, in Noland a band of yellow in relation to a band of blue and one of orange can move in depth although they are married to the surface. The landscapes were in my arms as I did it. Let the picture lead you where it must go. And I thought to myself - Don't push it! I looked at reproductions. We would sift through every inch of what it was that worked, or if it didn't, and wonder what was effective in it, in terms of paint, the subject matter, the size, the drawing. Go against the rules or ignore the rules. I had the landscape in my mind and shoulder and wrist.” And you can't prove beauty, it's there as a fact.... and you know it, and you feel it, and it's real. But it isn't just the shock of a message that you can have and dismiss. God is in all men, but all men are not in God; that is why we suffer. There is a mistake in the text of this quote. But you can't say to somebody.. this has it. "Abstract Expressionism". Remarkable Last Words (or Near-Last Words). But I feel less and less concerned with this as an issue. Every day we present the best quotes! I've explored a variety of directions and themes over the years. There are no rules. Is it beautiful? That is what invention is about. Helen Frankenthaler Quotes 27 Sourced Quotes I'd rather risk an ugly surprise than rely on things I know I can do. Book by Barbara Hess, 2005. That's a formula for dead art, or fashionable art. I mind that less now. It sounds rude, but it's meant lovingly. Quotes by Helen Frankenthaler - (27 quotes) Helen Frankenthaler - From the Abstraction category: Total abstraction was something intellectual to me. I don't resent being a female painter. Helen Frankenthaler Quotes 9 Quotes Sorted by Search Results (Descending) About Helen Frankenthaler. Once you've had it, it's over. 1993 On translating her large, lyrical abstracts from paintings to prints. Birthdate: 17. It has nothing to do with the taste of the moment or what's expected of you. “Helen Frankenthaler prints, 1961-1979”, HarperCollins, Julia Brown, Helen Frankenthaler, Solomon R. Guggenheim Museum (1998). More Helen Frankenthaler Quotes A picture that is beautiful, or that comes off, or that works, looks as if it was all made at one stroke. Helen Frankenthaler (12 December 1928 – 28 December 2011) was an American post-painterly abstraction artist. The negative spaces maintain shapes of their own and are not empty. A picture that is beautiful, or that comes off, or that works, looks as if it was all made at one stroke. There are no rules. The sky seems to fall into the water. I don't start with a color order, but find the colors as I go. I had the landscape in my mind and shoulder and wrist. For my own work, when a picture looks labored and overworked, and you can read in it as well - she did this and then she did that; there is something in it that has not got to do with beautiful art to me. In the Washington Times, 16 Apr. Born in New York City, her work was influenced by Jackson Pollock with whom she also was involved in the 1946–1960 abstract art movement. That is what invention is about. I follow the rules until I go against them all. Book by Barbara Rose, 1970. There is no 'always'. It looks as if it were born in a minute. With any picture, on paper or on canvas, the main idea is: does it work? There are no rules. Art has a will of its own. The price for living the life I have -- for any serious, devoted person, is that at times one must live alone, or feel alone. I didn't want to take a stick and dip it in a can of enamel [paint]. No formula. “After Mountains and Sea: Frankenthaler 1956-1959”, Solomon R. Guggenheim Foundation. Interview with Deborah Salomon, www.nytimes.com. And I usually throw these out, though I think very often it takes ten of those over-labored efforts to produce one really beautiful wrist motion that is synchronized with your head and heart, and you have it, and therefore it looks as if it were born in a minute. I needed something more liquid, watery, thinner. "Frankenthaler". Let the picture lead you where it must go. I was very committed. The picture developed – bit by bit while I was working on it – into shapes symbolic of an exuberant figure and ladder.... therefore: 'Jacob's Ladder' [the title of the painting she made in 1966]. What has made it work, or what makes certain paintings successful or not, has to do with my being a painter and a thinking, feeling person, more than my sex, color, height, origin. I didn't feel it; I could talk about Mondrian but it didn't occur to me to do it. He was too personal. Sometimes I think the worst thing is the current 'worldliness' of the whole [art] scene. But there are some that were brought about only because you are the person you are... you have the wherewithal, intelligence, and energy to recognize it and do something with it.
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