Turns out the alto with a five-octave range wasn’t director-producer Lee Daniels’ first choice. Clareece 'Precious' Jones Mary soon returns to inform Precious of her father's death from AIDS. "[55], A. O. Scott identified the script's precise use of force and adept use of language, including a memorable line created by Fletcher for the adaptation: a "risky, remarkable film adaptation, written by Geoffrey Fletcher, the facts of Precious's life are also laid out with unsparing force (though not in overly graphic detail).
Bitch, can we change the subject? ", "Lee Daniels Gives Us Howls of a Life, Buried Deep Within", "To Blacks, Precious Is 'Demeaned' or 'Angelic, "A film as lost as the girl it glorifies", "Precious Based on the Movie Female Trouble by John Waters", "List of 67th annual Golden Globe nominations [Corrected]", "Nominations Announced For The 16th Annual Screen Actor Guild Awards", "Orange British Academy Film Awards in 2010 – Long List", "21st Annual GLAAD Media Awards – English Language Nominees", Gay & Lesbian Alliance Against Defamation, Black Reel Award for Outstanding Ensemble, Birdman or (The Unexpected Virtue of Ignorance), NAACP Image Award for Outstanding Motion Picture, NAACP Image Award for Outstanding Independent Motion Picture, Toronto International Film Festival People's Choice Award, Women on the Verge of a Nervous Breakdown, Three Billboards Outside Ebbing, Missouri, https://en.wikipedia.org/w/index.php?title=Precious_(film)&oldid=983372162, Films featuring a Best Supporting Actress Academy Award-winning performance, Films featuring a Best Supporting Actress Golden Globe-winning performance, Films whose writer won the Best Adapted Screenplay Academy Award, Independent Spirit Award for Best Film winners, Album articles lacking alt text for covers, Articles with album ratings that need to be turned into prose, Creative Commons Attribution-ShareAlike License. “She still doesn’t have a first name,” the singer laughed, popping a blini with a glinting mound of caviar into her mouth.
A song titled "My Good Lovin' (Back Like That Remix)", featuring Da Brat and Lil' Mo, was featured in the film but exempted from the soundtrack. [1] The film opened at ninth place in the United Kingdom, with revenues totaling £259,000 in its opening weekend from a limited release of 47 cinemas, generating a £5,552 screen average. Mo'Nique won the award for Best Supporting Actress, while Geoffrey Fletcher won for Best Adapted Screenplay, becoming the first African-American to win a screenplay award at the Oscars. [4] Precious was also an official selection at the 62nd Cannes Film Festival (particularly the un certain regard section).
: In 1987, 16-year-old Precious (Gabourey Sidibe) lives in the Harlem neighborhood of New York City with her unemployed mother Mary (Mo'Nique), who has long subjected her to physical, verbal, and sexual abuse. [19] Katie Walmsley of CNN remarked, based on the film's positive reception at the Toronto Film Festival, that the film "at the very least, the [Toronto] award will guarantee "Precious" substantial distribution, as well as exposure for two-time director Daniels.
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Precious and her principal are talking back and forth through the apartment intercom system, but Precious is still able to hear the first several words of the principal's response even though she hasn't pressed the 'listen' button yet. Ms. It's a sign how much we needed to tell this story.
Rain gets up and immediately sits back down within two frames. [21] The soundtrack consists of various artists (Labelle, Donna Allen, Jean Carn, Sunny Gale, and MFSB); with some artists having recorded songs that were covers and other songs that were recorded specifically for the album.
There are several anachronisms related to the use of computers, given the film's setting in 1987: the computer screen on the desk of the secretary at Precious' original school is shown displaying graphical capabilities several years ahead of the film's established time period; the computer on Ms. Weiss' desk has a model of CD-ROM installed, which wouldn't be available for another six or seven years; the overall ubiquity of computers on the desks of virtually every educator and social worker as shown in the film would not have been the case in 1987. I heard you just say your father... Clareece 'Precious' Jones “I’ve never had that issue.”. In creating the movie Daniels hoped that the experience would be cathartic and that "maybe I could heal. Mary tearfully confesses that she's always hated Precious for "stealing her man" by "letting him" abuse her, and for eventually "making him leave."
A song titled "My Good Lovin' (Back Like That Remix)", featuring Da Brat and Lil' Mo, was featured in the film but exempted from the soundtrack. I did not want him to do nothin' to her.
"[15] Principal photography (filming) for the film took place on location in various parts of New York City. Precious puts her backpack down when she comes home with the baby. Soundtracks. Well, I'll see you next time then.
Later in the scene the untucked tie-tail is again tucked back in and only one is visibly out. With only days to prepare, the performer says she based her characterization on a therapist she knew but also on what she cryptically describes as first-hand knowledge of the social welfare system. Clareece 'Precious' Jones : I don't know much more than you do, Mrs. White. Clareece 'Precious' Jones
"[58] He further characterized the source novel as a relic of 1990s identity politics and noted that the film "casts light-skinned actors as kind [...] and dark-skinned actors as terrors." The divide between her luxe life and latest movie role could not have been more vividly illustrated, but Carey left their disconnect unmentioned. The Workshop Model is now the instructional model taught to teachers and encouraged in many New York City public schools. Windows 10 (1803): Desktop Icons weiss Hallo Community, seit dem letzten Windows Update … Rain and her live-in girlfriend. Rain and her live-in girlfriend. What issues are on the ballot in California and Los Angeles County. She meets sporadically with a new social worker Ms. Weiss (Mariah Carey), who learns about the sexual assault in the household when Precious reveals who fathered her children. Rain and her lover (Kimberly Russell), displaying her awakening literary intelligence even as she marvels at the discovery of her ignorance. So, those things that she told you I did to her? Who... who... was gonna make me feel good?
Then I said, ‘I’m going to put a mustache on you.’ Bound her boobs down, put this gray makeup on her, found this cheesy rayon material, put it on her. "[58] He further characterized the source novel as a relic of 1990s identity politics and noted that the film "casts light-skinned actors as kind [...] and dark-skinned actors as terrors." "Weiss." As she shares the details of her file with her fellow students, she begins to hope for the future. "[57], Precious also received some negative responses from critics. There's a split second, yet obvious changeover/cut. Rain says, "I'm gonna call the nurse." [32] At Sundance, Precious was listed under its original title of Push: Based On The Novel By Sapphire; however, the title was later altered to avoid confusion with another 2009 film entitled Push.
A Metrocard advertisement is seen as Precious is walking past a bodega. Later, Precious meets with her mother, who brings Mongo, at Ms. Weiss's office.
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