12-String Bass [4 And 12-string Bass], Vocals, Engineer [Assistant Engineer], Technician [Key Man], Rhythm Guitar, Noises [Assorted Noises], Vocals, Mayer, Katz, Baker, Leibowitz And Roberts, Buy CD, Matrix / Runout (Variant 1): 755961856-2 WME, Mastering SID Code (Variant 1): IFPI L012, Matrix / Runout (Variant 2): 755961856-2 WME, Matrix / Runout (Mould, variant 2): [Warner logo], Mastering SID Code (Variant 2): IFPI L012, Matrix / Runout (Variant 3): 755961856-2 WME, Mastering SID Code (Variant 3): IFPI L012. Finally, for those of us unfortunate enough to have the rerelease, we get treated to some bonus songs. All of the music was written by drummer him, so that probably explains why it is so very rhythm-based. And then came John Bush, who I was still warming up to. Anthrax continued their downward spiral with Stomp 442, a generic collection of speed metal bombast. ^Discounts apply to most recent previous ticketed/advertised price.
Surely you hear heavy metal here, and 'American Pompeii's Black Sabbath influenced riffing that starts just before 3-minute mark is one shining example of that! Listen to your favorite songs from Stomp 442 - Expanded Edition [Explicit] by Anthrax Now. Reissue Notes: The 2001 reissue of Stomp 442 features 4 bonus tracks, all of which are impressive. Hey Anthrax, nice fucking ballad, hypocrites. I thought Among the Living was Anthrax's last excellent album.
The album debuted at #47 on the Billboard 200 charts. The production is also another disappointing aspect of this release. This is limp-dicked late 90's radio rock covered in a thin, crunchy, tough-guy exterior and to suggest otherwise is absolutely preposterous.
"Nothing" is a perfect example of what is wrong with this band. The stupid cover art and lame album title should give a good indication of what level we're on here - this tedious, dated and awkward music that sounded bad in the '90s and hasn't aged well at all. This is a consistent, original, and interesting album from Anthrax. "Riding Shotgun" and "Fueled" also have some classy Pantera-wannable riff-hooks as well. The production is about the same, (despite the bands protests to the opposite) the performances are also in line with the previous - the only weak link is the songwriting. The rhythm section is, n a word, versatile. "American Pompeii" is kind of heavy, but reeks of the same mainstreamisms. So do I owe Scotty an apology? It wasn't bad, pretty solid, but it was just a bunch of modern-rockish beats that any one of a million drummers could have done just as well. No lack of ideas in bass and drums departments! And then Joey Belladonna left... By the second song on here, you'll have a pretty good idea of how the album is going to sound from beginning to end. The opening grind of "Random Acts of Senseless Violence" and the ultra-catchy "Nothing" stand out as great middle-of-the-road of modern metal tunes. This compact hardcore-meets-Anthrax mix certainly entertains but is lacking in much of the brilliance the predating album possessed. Charlie Benante is still pulling his weight, providing as much of a backbone to this garbage as he possibly can, but his efforts are in vain, as all the fantastic double-pedal stomping in the world couldn't make this palatable. Some user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.
It'd be easy to jump on the bandwagon of blaming John Bush as the reason all the albums he's on suck ass, but he's only providing the vocals. Sometimes the grooves are semi-tolerable like in the case of “Fueled” and “In A Zone”, and at other times they throw in some really ear piercing high end dissonant guitar noise like in “Drop The Ball” and “Riding Shotgun” which grates in a way that makes some of the crap on “Through The Ashes Of Empires” sound pleasant by comparison. The closer 'Bare' amounts to a half ballad, with the second half being taken up by yet more awful grooving, and 'Nothing' throws that sound away entirely in favour of some dreadful buttrock nonsense that manages to be even less aggressive or energetic and even more dated than everything else here. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books.
So, the album sounds live! To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Make no mistake though, what is heard on here is absolute garbage, albeit fairly well sugarcoated garbage when you account for the production quality and the improved guitar sound. The band and Butcher Brothers produced t…, 1) Anthrax are an American, New York City-based thrash metal band, who released their first full-length album in 1984.
It's in fact a little rock ballad at the end of the album, but even then, the last part of this song is returning to the general sound of the album and is overall not even good. After a very good effort in creating something similar to this in form of Sounds of White Noise, I was stunned to see this band sounding so uninspiring this time around. The guitars sound live. [UPDATE 11/20/07: It has come to my attention that it was actually beloved drummer Charlie Benante who wrote all of the horrendous riffing on this album, not Scott Ian (I had heard a rumor that such was true, but had no proof.
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