In the moment of her distress, The Englishman is talking to her (doing the distracting) while The Irishman takes her hand (doing the “thumping”).
A deer is an animal.
The next story, starring James Franco as an ill-fated bank robber, leads up to a punchline that’s one of the funniest in the Coen canon. Its meshing of formal discipline and screwed-down content sometimes give it the sense of a work that has been carefully and elaborately embroidered rather than photographed.
The jibbering bank teller in “Near Algodones” is played by Stephen Root, who once famously played another jibbering character, Milton in Office Space (“my stapler…”). As the sun sets, the coach is shrouded in an ominous dark blue that brings with it an unmistakable sense of dread. © Copyright 2020 Meredith Corporation. Death is inevitable.”. Every so often someone will make a controversial case for, say, Intolerable Cruelty. A sparrow is a bird. The dog’s name in “The Girl That Got Rattled” is President Pierce, based on our 14th president whose life was beset by tragedy. After this, his sister Alice (Zoe Kazan) insists she’s not the dog’s owner and the dog is chased away. A rose is a flower. With Tim Blake Nelson, Willie Watson, Clancy Brown, Danny McCarthy. As the mournful air that supports the ballad “Streets of Laredo” (and other lyrics, as the movie demonstrates in its last story) plays, the book opens, the pages turn; a full-page illustration shows a moment from a tense poker game; and away we go. The idea is she’s alive in the first half of the story, then dies during her choking distress after being goaded by The Frenchman (Saul Rubinek).
“All Gold Canyon” and “The Girl That Got Rattled” are both based on previously published short stories.
Upon rewatch, Nelson slyly eyes the slightly uneven board on the table when chatting with Curly Joe (Clancy Brown) before he stands up, in one of the most subtle bits of acting in the film.
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Some are more in the realm of evidence-based speculation (Things That Probably Mean Something). (The first was composed 25 years ago. “I don’t know,” the bounty hunter says cheerfully. Entertainment Weekly may receive compensation for some links to products and services on this website. Theory about a character in "The Ballad of Buster Scruggs" w/tldr. 6.
All three of Pierce’s children died before age 12, each for different reasons. The dog’s first owner (Jefferson Mays) dies suddenly and inexplicably. Let the Coens take you on funny, yet incredibly depressing, journey through a vicious land. The Artist and Liam Neeson’s character, “The Impressario,” never say anything to each other directly, which demonstrates the emotional distance in their relationship. But there are two different theories that seem rather likely. It’s almost like the dog is a harbinger of doom for whoever owns it.
The actor who so heartbreakingly plays the doomed Artist (Harry Melling) in “Meal Ticket” is the same actor who played Dudley Dursley in the Harry Potter movies, in a rather dramatic physical and character transformation. It’s hard to pin down the brothers’ new film, “The Ballad of Buster Scruggs,” an anthology film that presents itself as a literal story book, first edition 1873. Its pleasures—the endless succession of perfect shots of remarkable scenery, the gorgeous music by Carter Burwell and others that swells and dips like the landscapes themselves—are real, and acknowledged as such, but there’s something more real underneath it all. The next story, “The Gal Who Got Rattled,” featuring remarkable performances from Zoe Kazan, Bill Heck, and Grainger Hines, is also an adaptation, from a story by Stewart Edward White, but the Coens stack it with mordant ironies that not only make it their own, but make it perhaps the saddest of the tales here.
), "We thought: This character dies in this story, that one dies in that story," the director said. The eternal chilliness of that ending pairs curiously with the first installment, where the cocky Buster meets his end at the hands of an upstart sharpshooter and gains literal angel wings, singing his way to heaven.
The movies of Joel and Ethan Coen inspire an almost fanatical urge among film fans to start arguing.
A popular choice (based on conversations I've had) has been "All Gold Canyon," with Tom Waits as an ornery but determined miner.
Fella by the name of Shively unless I misremember said his papi was fr– from France.”. This final segment plays like an extra-morbid but enigmatic coda to the prior proceedings.
Then it hits you how, in a speech by Saul Rubinek’s “Frenchman” character (who introduces his philosophy of life by anticipating Sartre’s statement that “we have only this life to live”), his insistence that in life you “cannot play another man’s hand” completes a circle: extending the movie’s trajectory back into an animating situation in its first story. 3.
Below are 14 random thoughts about the film that, like the six tales, don’t really fall into any one specific category.
5. Sign up here for our daily Thrillist email and subscribe here for our YouTube channel to get your fix of the best in food/drink/fun. 11.
These mini-sagas are about American myth-making -- good and bad -- and how bleak the project can be, with the connective conceit that they're all purportedly from a book of short stories titled The Ballad of Buster Scruggs: And Other Tales of the American Frontier. The Ballad of Buster Scruggs is a twisty Coen brothers masterpiece of tall tales and fables and, by its very nature, rather ambiguous. Here, their adaptation of Western story modes goes directly against contemporary consciousness of Native American genocide and other issues. When watching the film the first time, Scruggs kicking the board on the poker table to wackily kill his opponent seems to come out of nowhere. "The Mortal Remains" strays from the straightforward parable format of the other entries, and though it's not the only part of Buster Scruggs to deal in fantasy, it's the most elusive. Which I think is true.
When stealing the owl’s eggs, the conflicted Prospector (Tom Waits) remarks, “How high can a bird count, anyway?” which is a reference to the chicken in the previous story and again hints The Impressario was conned.
The Ballad of Buster Scruggs, their new film, which arrived on Netflix on November 16, offers the opportunity to argue on a micro level. As the passengers share their histories on the way to a place known as Fort Morgan, their conversation becomes about the nature of humanity.
(TLDR at the end.) Six tales of life and violence in the Old West, following a singing gunslinger, a bank robber, a traveling impresario, an elderly prospector, a wagon train, and a perverse pair of bounty hunters.
13. The passengers take this to mean "bounty hunters," but clearly their duty is more metaphysical than that.
So The Irishman (Brendan Gleeson) and Englishman reaper team are actually on that coach to collect her specifically.
During a post-screening Q&A after the New York Film Festival Premiere, Ethan explained that they weren't consciously thinking about about the themes of mortality until they were writing the final segment, "The Mortal Remains," the last one to be written before filming. 6. It also means that the Coens engage in some tropes without refuting them. For the purposes of this marvelous and disquieting movie, it’s enough. The reason he reacts so negatively is, perhaps, superstition. 30 essential albums from the last 30 years.
But while you may be tempted to jump ahead or skip around, the way you might for a season of, say, Black Mirror, don't. Do the Coens troll their audience?
On the other hand, I had a conversation last fall with a great film scholar and critic who rather famously dislikes the Coens' work, and he was taking issue with the naming of the main character and ostensible hero of “Hail Caesar.” Josh Brolin’s good guy “Eddie Mannix” was named for a real-life character who was in fact a rather bad guy, an MGM-employed “fixer” who covered up major crimes by film figures and bullied potentially rebellious stars into doing the studio’s will. The format presents some confusion.
Dudley from the Harry Potter movies).
One fan theory is the two are father and son, though that feels off — their accents are rather different and it seems like a strictly business relationship, a commentary on the brutal nature of show business (with a highbrow artist who is discarded for the lowbrow mob appeal of a counting chicken). 9. 4.
In the movie’s final story, “The Mortal Remains,” one of a pair of bounty hunters, played by Jonjo O’Neill, tells his fellow passengers in a stagecoach of how, after his partner (Brendan Gleeson) has “thumped” one of their victims, he enjoys looking into that man’s eyes and watching as he negotiates the border between life and death, trying to find a state to which he can be reconciled. If that sounds like pastiche, well, it is. Ultimately, The Ballad of Buster Scruggs delivers no overarching theory about what happens when we die, but it's certain that we all do, and it often ain't pretty. CIFF 2020: Black Perspectives Program Highlights Diverse Voices, CIFF 2020: The Roger Ebert Award Returns to Champion New Voices, Immerse Yourself in Martin Scorsese’s World Cinema Project #3. Below are 14 …
Q&A after the New York Film Festival Premiere. “The Mortal Remains” is, of course, very open to interpretation and none is more right than any other. Each chapter begins with a color plate, illustrating a scene that's to come. Christopher Orr "Maybe in this one they are all dead?".
But the Coens are creators who rather effortlessly work on multiple levels, and I think it’s closer to the truth to say that they liked the name AND that they knew that using it would push certain people’s buttons, and they’re not just fine with that; they’re delighted by it. Offers may be subject to change without notice. Earlier this year, comedian Paul Rust did an emoji ranking of the Coens that ignited a Twitter battle over whether No Country for Old Men, The Big Lebowski, or Fargo is their best.
Or perhaps you like -- as I do -- the pitch-black "Meal Ticket," with Liam Neeson as a ruthless peddler who makes his living trotting out an orator with no arms and legs (Harry Melling, a.k.a. The first is that the trio of travelers are all recently deceased and navigating “the passage” between life and death. Entertainment Weekly is a registered trademark of Meredith Corporation All Rights Reserved. Read his answers to our Movie Love Questionnaire here. What’s most bewitching throughout “Scruggs” is its sense of detail. Yes, that's right. FanTheory spoiler **Spoilers Almost Immediately** First ever post, created an account for this idea, looked online and hadn’t seen anyone else discuss it yet.
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