And where is the story finally taking us? Once, when feeling neglected and jealous of the attention given to her younger sibling, and wishing him to be quiet and gone, she involuntarily caused him to teleport from his crib and reappear underneath the sofa.
One of the things Thelma is anxious about at college is the suspicion that she is gay. Thelma was selected as the Norwegian entry for the Oscar as Best Foreign Language Film at the 90th Academy Awards,[17][18][19] but did not receive the nomination.[20][21]. Thelma is a shy young woman who has just arrived at university in Oslo, leaving behind her two over-protective and very religious parents: Trond (Henrik Rafaelsen) and Unni (Ellen Dorrit Petersen), who have an exasperating habit of checking up on her online, monitoring her lecture timetables and Facebook friend-acceptances. Thelma is slow-burner film but the pace is even enough that it never gets too dull or drags. There's a lot going on in "Thelma," too much at times, with a number of familiar story-structures dovetailing in at different angles. The keynote scene arrives when Anja’s mother Vilde (Vanessa Borgli) takes the girls out to the ballet, an occasion for which Thelma feels it necessary to get glammed up. Thelma subconsciously made Anja touch her sexually in the concert hall.
Thelma tells the story of a sheltered young woman who discovers she has an inexplicable power that materializes when she feels desire for a female student at her university. It's not like Thelma enjoys suffering people but she does it unconsciously. Eili Harboe’s performance as Thelma is outstandingly good. When the father takes aim at a deer standing in the distance, the daughter is so riveted by the deer she is oblivious when her father turns to point the rifle at the back of her head. Traumatized, Thelma's mother tried to take her own life by jumping off a bridge, but instead the failed attempt left her disabled.
Thelma, raised in isolation, wanders through the partying social atmosphere of college like a prim little wraith. Thelma starts out as a typical teenage lesbian love story. So she continues to mature as a young woman and her power grew. Read her answers to our Movie Love Questionnaire here. Some aspects of the story work better than others. Joachim Trier’s uncanny psychological thriller follows a young woman whose burgeoning sexuality is linked to intense episodes and cosmic disturbances, Last modified on Thu 22 Feb 2018 20.07 GMT. Along with the realization that she can summon her power, Thelma is able to finally control it, and brings Anja back to existence. A sense of unanchored weirdness grows, from which direction we are never entirely sure, and the second half is exciting and horrifying as family histories are uncovered and quiet rage wreaks havoc. In other words, she has the supernatural power to teleport someone. Well, we’re not 5 dudes in a room talking about our passion for Fight Club and Braveheart. Joachim Trier keeps the film firmly in Thelma's point of view. Our goal is to save you time and money by sharing our thoughts and recommendations on which movies to race to theaters for, which to watch at home and those to actively avoid. Thelma is lonely, and like many students away from home for the first time, is always suppressing feelings of anxiety and panic. Because she is an unreliable and increasingly freaked-out narrator, it's never clear if what we are seeing is real or not. Shot in cinemascope, "Thelma" often switches startlingly from a micro view to a macro. Overall I suspect that the scenes in the movie were all real in the sense of a “Lathe of Heaven” scenario where Thelma would dream and see weird stuff and the … At the end, Thelma started to understand that she has special power to control others, so she decided to use her power to get what she wants. Ultimately, it's the story of a strange submissive girl investigating the mystery of her own clouded-over past. Join us for our weekly review of movies worth seeing, worth avoiding and our Top 5 lists – and don’t forget to play along at. What makes Alternate Ending different from other film sites and podcasts? (Actually, the “disappearance” scenes in Thelma also reminded me of something much brasher, a little known film called The Forgotten from 2004, with Julianne Moore, directed by Joseph Ruben who made Sleeping With the Enemy in the 90s.) This struggle was going on for a while. Thelma, a shy young student, has just left her religious family in a small town on the west coast of Norway to study at a university in Oslo. Thelma is a hard film to categorize. What happens when you say to a deeply feeling young woman like Thelma, "It is never okay to express any of this"? It is the trigger for everything that is to happen. require(["mojo/signup-forms/Loader"], function(L) { L.start({"baseUrl":"mc.us15.list-manage.com","uuid":"daccd1a5518b1cd5739d63296","lid":"a678e07223"}) }). Your email address will not be published. [12][13] It premiered in the United Kingdom at the BFI London Film Festival as a Cult Gala presentation on 14 October 2017. What she sees, we see. If you decided to watch this movie, you will not regret it. [28][29], Thelma was released theatrically in Norway on 15 September 2017. Say Your Prayers: Blessed are the filmmakers…, Investigating Enola Holmes: The Case Of The Overthinking Critic, The Devil All The Time: the devil is in the detail, Bill & Ted 3: no Eddie Van Halen but we do get Dave Grohl, She Dies Tomorrow: the meaning of life, and death. There is a scariness and sexiness to go with its cool understatements and opaque mysteries. The film premiered at the Norwegian International Film Festival on 20 August 2017.
You remember, yet again, the look on her father's face when he turned the rifle on the back of her 8-year-old head. But, also similar to "Carrie," it works best when it stays specific, grounded in this one woman's singular experience. If you think that the movie ends with two female lovers who live happily after, then you are terribly mistaken.
Required fields are marked *. But if you watch the movie all the way through, you’ll see that the movie is lot more than that. Trier's films are filled with a tragic kind of knowledge, the knowledge of what it means to struggle, but also the knowledge of what it means to stop struggling. Anja had so control over herself. With Eili Harboe, Kaya Wilkins, Henrik Rafaelsen, Ellen Dorrit Petersen. So you might say she turned into very dangerous monster.
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