The problem was, there were a lot of rumors floating around out there. Film composing has more to do with the art of filmmaking than it does music-making. A lot of critics who are quick to glance over the score, or immediately dismiss it are missing out on a very effective amalgam of electronics and orchestra like we really haven’t heard in cinema. The only song that has not been released is the cue that plays when Lora Baines and Dr. Walter Gibbs are introduced, which, ironically, is a shorter version of "Lightcycle Games" played by the orchestra. So, he recommended me to them, and, I guess the rest is history (laughs). Now Mondo is bringing the vinyl to life with a deluxe reissue. It’s evolved, sleek, polished and powerful. SK: What kind of things have you been working on since then, or will be working on in the future? Wer führte Regie beim Drama “City of God”, in dem das Leben einer Generation in den Favelas von Rio de Janeiro geschildert wird? Sometimes I would begin working with the in the room, whether we’d be all alone or together. For a romp of good-vs.-bad action, see Tron: Legacy! If there’s an opportunity to bring back themes, and is appropriate, then that’s fine, but I think the best sequel scores out there are scores that are their own original entities. Wann geht Wasser bei Normaldruck in der Atmosphäre immer zu Eis über? Check back this weekend for Part 2. This review by Heather Phares identifies electronic and orchestral elements as mentioned by the OP:. The two scores create a wonderful pairing where each crystallizes their individual worlds. It wasn’t just the next Daft Punk album. The melodies you hear in the french horn were melodies in synthesizers before that. That’s why Thomas and Guy-Manuel took their time. So I suggested we bring in someone who can oversee my work and verify it. The Music in TRON is noticeably different from other movie scores due to its complex use of both synthesizers (analog and digital) and an orchestra, and sometimes choir. The only thing I should really add to that is that’s why we really took our time. People who have a great awareness of Daft Punk know that they’re kind of the perfect guys to score this picture. So I think the basic answer is yes, in short. Then I sat down to watch the film and within the first two minutes of the movie, I realized I was could be wrong. I’ve asked them that and I don’t get a clear answer…ever. I think Wendy Carlos’ score for TRON is one of the great electronic masterpieces of cinema. Working with the London Orchestra, Bangalter and de Homem-Christo fuse electronic and orchestral motifs seamlessly and strikingly.. Review: 'Tron: Legacy' glows brightly but lacks life Listen to Tron: Legacy on Apple Music and Spotify. Yes it is. I couldn't get enough of it. A match made in retro-futurist heaven, the ‘Tron: Legacy’ soundtrack found French duo Daft Punk rebooting Disney’s cult classic movie. I’m working on a couple of albums with some electronic artists, actually, and I scored the trailer for the animated TRON series, which is now on Youtube. I did. The official music video for "Derezzed" was released online on December 7, 2010. ‘Chinatown’: Thin Lizzy Hit The 1980s With Tenth Studio Album, ‘I Can’t Get Next To You’: The Temptations Unite Soul And Pop Again, ‘There Is Rock. Carlos’ score really captured the world of TRON in its infancy in 1982 when the grid was new and relatively archaic. It’s a fantastic piece of work! This is my interpretation of it, but I just wanted to be affected by it viscerally and not directly. The reviewer also notes that. As much as I would like to say “I’m a collaborator,” I was also just along for the journey. If you watch TRON: Legacy, in an early cut without music, you see that it doesn’t call for that original Wendy Carlos score or style. They already had a clear idea of the melodic ideas, sonic ideas, and electronic demos and sketches that were ready even months before I became involved. SK: Two years is a very unusual amount of time to work on a score. Who knows where they’re going next? SK: I’m one of those minority film music buffs and composers that believe that a sequel needs to be scored in its own unique way. There’s a lot of mystery and conjecture surrounding this score. If you look at the history of Disney, it’s really one of the few studios in town that really encourages this kind of experimentation. I know a film score can change and evolve a lot during the process. I didn’t remember how well that combination worked for the original, and how good of a job Wendy Carlos did with that. Find all 46 songs in TRON: Legacy Soundtrack, with scene descriptions. To avoid being influenced by it in the wrong way, we just avoided watching the film and paying any direct attention to it while we were on this project. I think everyone enjoyed the process, from me, to the director, to the last chair viola, to our mixer. It was all something very memorable. Carlos had been trained in orchestration and felt this was a good opportunity for her "to break out and do a substantial amount of orchestral composition". Not long after viewing the movie, I wanted to know more about the score and how it was created. They had this really bold, distinct vision, and this bold idea of how to combine the orchestra and electronics that we all knew from the beginning. They were there. Fremer agreed to let her write all of the mu… And the thought of following in the footsteps of the original score’s composer, electronic-music pioneer Wendy Carlos, could only have increased their enthusiasm for the project. There was a lot of chaos and uncertainty. So our roles evolved with that. That dictated this was going to take a year and a half to two years of work from the dedication of a small team of musicians. Did AMERICAN GODS’ Opening Titles Rip Off THE GIRL WITH THE DRAGON TATTOO? JT: To be honest with you, I have no idea. If you watch TRON: Legacy, in an early cut without music, you see that it doesn’t call for that original Wendy Carlos score or style. RECENT AND RELATED 'Tron' glow-in-the-dark posters are retro visions 'Tron: Legacy,' the Hollywood premiere. The orchestra music was recorded in London in March 1982, at Royal Albert Hall and Walthamstow Halls with additional sessions in Los Angeles with the UCLA chorus and a smaller orchestra. Although I would not categorize the LEGACY score as having anything to do with the Carlos score, there’s a nice parallel between the two. I want to be part of the ability to achieve something greater than one’s self. Between that, and their original ideas, and the way they articulated their original ideas, we sort of had the answers first. It is often not possible to pin down a single genre to an album. It makes it unique. And There Is Rooooooll’: Chuck Berry In 20 Quotes, ‘Hole In My Shoe’: Traffic Leave Their Imprint On Psychedelic Pop, ‘Copperhead Road’: Steve Earle’s Ride On The Wild Side, Dire Straits Return To UK Album Top 10 For First Time In 22 Years, Watch Matt Berninger Play ‘Serpentine Prison’ Songs Live On ‘CBS This Morning’, Justin Bieber And Demi Lovato To Appear During ‘Vote With Us’ Livestream Rally, Reba McEntire To Star In New ‘Fried Green Tomatoes’ TV Series For NBC, Volbeat Announce New Album, ‘Rewind, Replay, Rebound: Live In Deutschland’. It was very much an intense process, but everyone was heartily invested in time and effort. We had this great love of what (director) Steve Lisberger was able to achieve. Fittingly, too, Bangalter and de Homem-Christo were as much trapped in their machines as Tron’s protagonists were; film critic Roger Ebert could almost have been describing the French duo when he praised the original 1982 movie for making computers “romantic and glamorous… sensational and brainy, stylish and fun”. So that kind of dictated that the final film would, at the very least, be supported by its score. SK: What about satisfaction? When you combine orchestra and electronics, there’s a real chance that it’s going to fall flat on its face. For starters, I’d like to know how you got involved with TRON: LEGACY. Our boy’s got some Trent Reznor envy going on. It just goes to show that these guys can easily score a film. They worked on it for two years with an orchestra, and with arranger Joseph Trapanese (who has since gone on to work on box office smashes such as Transformers: Age Of Extinction, Straight Outta Compton and The Greatest Showman). What I really enjoyed about it was this kind of classical development of this material, and I can’t emphasize it enough, the creative control and creative collaboration that the guys had from front to end. Yes. 2", which includes other unreleased music from TRON and studio demos. I was always working in their studio. You can see Electroma (2006) which is the film they made. A "special presentation" trailer featuring Daft Punk and their track "Derezzed" was released online on October 26, 2010. I listened to it recently, and I was astounded by the maturity of the combination between the electronics and the orchestra. There wasn’t anything overt, but we’d all seen the film. JT: I’ll just stop you right there. The TRON: Legacy soundtrack to the 2010 Walt Disney motion picture features Daft Punk's electronic and orchestral score. I dismissed their selection as just another paltry scheme pandering to popularity. Required fields are marked *. Disney couldn’t have found a better group to provide the future-retro vibe they were looking for. Despite the conceptual connections, the hour-long Tron: Legacy soundtrack was quite a departure for Daft Punk. It was a consistent collaboration from front to end. They had given me an iTunes playlist of the music that inspired them, both film music, classical music, electronic music, all sorts of different types of music. JT: No film score should ever be something other than what the film demands.
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