Starring Katharine Hepburn in her only real foray into playing a "scatterbrained heiress" and Cary Grant as a befuddled paleontologist who's life she disrupts from the moment they meet on a golf course, the story looks almost seems like deliberately crazy plotting: An uptight paleontologist loses the last bone he needs to complete his reconstruction of a dinosaur to an heiresses' dog.
And that's just the first five minutes. The 25 Best Console Launch Games (Since 2000).
But there’s an undeniable, ephemeral magic that comes from watching him, Hepburn, and Grant all work together on such a madcap story.
In clumsier hands, screwball all too often gallops into the frenetic, fraying the nerves; Hawks maintains a presto pace, but never lets the mixups and misunderstandings grow implausible he just glides serenely to something else.
Meanwhile, her fiendish fox terrier George steals and buries the brontosaurus clavicle (somewhere in a 26-acre garden), Susan frees a man-killing leopard she's mistaken for the missing Baby and most of the ensemble are jailed in noisy pandemonium.
And if you believe that true love comes with utter understanding, prepare yourself for a serious letdown. This movie is awesome, and especially for a film that is over 75 years old. Worse still if you're judging by American/European standards of the 21st Century.
There is a beauty in the photography and simple choice of perspectives and angles that matches the.
Every scene is centered around someone misunderstanding someone else and nobody even bothering to explain themselves, or when they do, another character interrupts to obliterate any budding coherency. I'd give this Howard Hawks perennial four stars (like everyone else) if I didn't find the climactic jailhouse scene so labored.
Metacritic Reviews, "Bringing Up Baby" is a film I unconditionally love; it is so utterly sublime a comedy that I was truly sighing, awed, 'it can't get better than this...' at many points.
Cary Grant does show why he is fabulous.
1938 was a year of mistakes and misunderstandings. External Reviews I've tried. In case you haven't gotten the point, I highly suggest you see this movie.
Countless films have imitated Bringing Up Baby, most famously Peter Bogdanovich's homage What's Up, Doc?
Bringing up baby reviews and ratings added by customers, testers and visitors like you. It's Kate brilliantly breaking out of her 1930s typecast. He plays the professor perfectly. He photographs and presents his actors in the most charming and amusing possible ways, and the film is certainly a more leisurely, perfectly pitched film than "His Girl Friday", which I nonetheless admire. After boy friend Howard Hughes bought her the rights to Phillip Barry's play, she then rescued her career with her big hit "The Philadelphia Story" (1940). I saw Bringing Up Baby for the first time just under a month ago, and have since rewatched it about five times.
and the Terms and Policies, [VIDEO ESSAY] Howard Hawks's "Bringing Up Baby" is the go-to example of screwball comedy that critics and film-lovers reference most as the definitive model of the genre.
futile to look for its equal.
There is little rhyme or reason to most of the action, but it’s all highly palatable. Read honest and unbiased product reviews from our users. Copyright © Fandango. Hepburn and Grant are superb in this breathlessly funny screwball comedy with a plot that could have been hatched in a mental institution. It leaves one in awe at the speed and timing of Grant and Hepburn, as well as their goofy, lopsided humanity...Don't trust the public to recognise a masterpiece.
Staples of the genre an absent-minded professor, a madcap heiress, a contrary animal (or three in this case), a large sum of money being sought, pratfalls, cocktails, false identity, a pursuit, a car crash, an unwanted fiancee, and absurd confusion are all present in mint condition in Howard Hawks' breakneck-paced, maniacally funny picture; written by one of the top screenwriters of the 30s, Dudley Nichols (an Oscar winner for the John Ford drama The Informer (1935). Howard Hawks hated it, not least of all because the movie was a box-office bomb that led to his dismissal from Gunga Din. By Chris Barsanti. I was thoroughly entertained. Grant plays stuffy palaeontologist Dr David Huxley who is due to be married, and is trying to obtain some money for his museum, but all his carefully laid out plans start to unravel when he first meets Susan Vance (Hepburn) on the golf course. Though it's almost impossible, try to sit back sometime and enjoy this 1938 Howard Hawks masterpiece not only for its gags, but for the grace of its construction, the assurance of its style, and the richness of its themes. I'm not saying you're wrong, I'm just saying since you can't compare this to virtually anything of those, just enjoy the ride. Search and read bringing up baby opinions or describe your own experience. Bringing Up Baby is very funny. All rights reserved.
Get the freshest reviews, news, and more delivered right to your inbox! Having already helped launch the genre, the director Howard Hawks here reinvents his comic voice, establishing archetypes of theme and performance that still hold sway. Also at 102 minutes it feels like 45 years. |
But she's doing some serious poaching on a young version of the kind of roles Mary Boland or Billie Burke would play.
Basically, Katharine Hepburn could do no wrong, and with Cary Grant, the ultimate screen actor, you've got an instant classic.
And what about Susan's aunt and the major? Yet he plays such suave roles in other movies. Ever mindful of his audience, Hawks ruefully thought he had erred on the side of too much nuttiness: "I don't intend ever again to make everybody crazy," he told Peter Bogdanovich in 1962.
The leopard was filmed separately and put together with his co-stars by means of a travelling matte, blended split-screen technique. Posted: Katharine Hepburn is literally the most selfish, annoying and manipulative psycho and it was so stressful to watch her entrap Cary Grant with her antics. I hated it. This heiress is Katharine Hepburn, and she doesn't make it easier for him, since she's totally self-involved with her own eccentricities, and in one hilarious montage after another we see Grant trying to fetch his bone while getting entangled in the wildest of circumstances, one in particular which includes a tame tiger that is meant for Susan's aunt (May Robson).
The director, Howard Hawks, keeps all this trifling nonsense in such artful balance that it never impinges on the real world; it may be the American movies' closest equivalent to Restoration comedy. Hepburn and Grant, who made four films together, are a peerless partnership in the departments of good looks, charm and comic timing, throwing themselves down slopes, into water holes, atop a dinosaur and into love like no-one else. Review: The Glorias Is …
Time has revealed its brilliance, as well as the apparent impossibility of its like ever being seen again.
| (I've heard those were his trademarks, though.)
Howard Hawks hated it, not least of all because the movie was a box-office bomb that led to his dismissal from Gunga Din. The pace is fast, Cary Grant is brilliant as the professor Kate harasses/helps/falls in love with throughout. The Acting you CAN compare, though.
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