A documentary on the history of the slasher film. A paranoid classic for the red-eye crowd. There was an aura of mystery around Eraserheadâs production that was very attractive to audiences â something Lynch has maintained with almost every film heâs released since then. It is considered to be of the greatest splatter films of all time and is one of the quintessential 1980’s horror films. Raimi was thrilled when the film was given the dreaded X rating because he felt the rating only heightened the films credibility as a legitimate schlock piece. Upon seeing the monolith he is transformed into a fetus like creature and sent floating through space. The movie was intended to be a sexually driven sci-fi comedy, without the R rated scenes, it’s not a cult film, it’s just a kid’s film.
Pink Flamingos is the gateway to John Watersâ cult aesthetic and pro-trash style, offering audiences the right kind of camp and quotables for midnight madness.
What better way to embrace spooky season than with this collection, which features real-life accounts of exorcisms from around the globe?
Then, a 1962 Cannes Film Festival revival screening renewed interest in the film, and the counterculture of the 1960s helped drive it to the midnight movie circuit, where it became a cult classic in the 1970s and 1980s. For those lucky enough to have seen 2001: A Space Odyssey on a big screen, there is really nothing like it. The film is rich with imagery and created a unique world for viewers, particularly in 1968. The Official Showtimes Destination brought to you by IFC Midnight This is for the films that thrive on the romanticised, abstract, vibe that Midnight reverberates; that time when it’s not quite today but it’s not quite tomorrow, when you’re too sleepy to do anything but too awake to sleep. What it does have, though, is a place as a key influencer of later 1970s exploitation cinema. The Rocky Horror Picture Show helped to establish an enduring foothold on the midnight movies circuit for films that relish camp, blur the lines of sexuality, and celebrate queerness, and by the time the 1990s rolled around Rocky Horror was joined by films like The Adventures of Priscilla, Queen of the Desert. That is the face of actor Tony Moran, who didn’t go on to do any of the sequels, though he still became a cult icon. The code was a way for studios to censor and limit what an artist was able to show in his or her film. Halloween is mostly set in Haddonfield, Illinois, the sleepy Midwestern town where young Michael Myers begins his murderous mayhem. Paul Verhoevenâs seriously strange film about a stripper who makes it big draws midnight crowds who know that cocaine is passé and donât feel guilty for laughing when the scantily clad heroine is asked point-blank if it feels weird ânot having anybody cum on [her].â. George Romero is also part of that generation as is David Lynch, who is much younger, but one can see the influence of those outrageous films he saw early in his youth.The comments by Roger Ebert, J. Hoberman, Jonathan Rosenbaum and others in the documentary put things in the right perspective for us, as we learn the history of this phenomenon.
From 1970-1977, six low budget films shown at midnight transformed the way we make and watch films. While Laurie walks around town and Myers pursues her, she sings a couple lyrics that sound sweet but are haunting in context: “Wish I had you all alone / Just the two of us.” Internet digging reveals that it’s not a pop song, but rather it could be a reference to her repressed romantic feelings, or a nod to what will become her ongoing connection to Myers. With Shapiro as a backer, the film was shown at the 1982 Cannes Film Festival and eventually went on to be distributed by New Line Cinema in 1983. The Harder They Come was the first major Jamaican feature film, and it was such an instant hit in its home country that star Jimmy Cliff could barely make his way to the theater where it premiered because of the crowds.
https://www.flavorwire.com/498744/the-50-greatest-midnight-movies-of-all-time John Waters’s self-proclaimed “exercise in poor taste,” which centers on a competition to determine the most disgusting person in the world, wasn’t just made to shock you. If there was ever a film meant for midnight, The Evil Dead is that film. It’s a film that theaters refused to show during matinee or evening time slots. Gerald Pottertonâs 1981 adult animated movie became a great showcase for underground comic artists. A product of Tromaâs early days, when the company was still settling into its own skin, the filmâs monster hero has become a symbol of independent cinema. Midnight cinema became popular in the late 1960s. Beatles manager Allen Klein purchased the movie (at the encouragement of John Lennon), helping El Topo find a larger audience â and the film continues to play the midnight circuit at theaters like Manhattanâs IFC Center. It was the film that gave way to that trend to present unconventional films that wouldn't otherwise be shown a new venue for people looking for new things.John Waters was an admirer of what he encounter at the Elgin, and it gave him the push to go ahead with his outrageous films that wouldn't have a distribution, had the Elgin not welcomed him. is good-natured, goofy, and goes great with a tub of butter-drenched popcorn at midnight. As your mind loops and bends round the paradoxical plot and warped characters- a Mobius strip of personal story, scientific theory, and disturbed psychology that’s crescendo may (for first time watchers ‘will’) leave you intellectually swirling in confusion, but still completely emotionally satisfied. A retrospective documentary about the Halloween films. The cult of Bruce Campbell is a force to be reckoned with. Midnight Movies: From the Margin to the Mainstream tells the hidden history of these landmark films, El Topo (1970), Night of the Living Dead (1968), The Harder They Come (1973), Pink Flamingos (1972), The Rocky Horror Picture Show (1975), and Eraserhead (1977).
Taste of Cinema 2019. By far the most famous midnight movie of the 21st century so far, The Room is a film so bad that you can’t help but be compelled by it—whether you think it’s a secret masterpiece or you’re just dumbfounded for its entire runtime. In a later shot, we see Loomis and Sheriff Brackett walk through the very same area of the house, and it has a different floral wallpaper. Midnight movies were films shown only at midnight and were generally shown in the town in which the film was shot, or in major markets such as New York City and Los Angeles.
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