In December 2016, it made the shortlist of nine films to be considered for a nomination at the 89th Academy Awards. With the notable help of John Christian Rosenlund’s nuanced cinematography and Peter Bavman’s meticulous production design, Poppe has fashioned one of the most handsomely realized and viscerally compelling of recent period dramas. Haakon relays the German demands to the Cabinet and states he cannot accept Quisling as Prime Minister, offering to abdicate if the Cabinet felt otherwise. People can say, for example, that Churchill didn't play nearly as big a role as he does. Despite Olav's objections and fears for his father's safety, Haakon agrees to meet with Bräuer at Elverum. Colin Firth as Bertie and Helena Bonham Carter as Elizabeth in The King's Speech. One footnote: Although the name of Vidkun Quisling, the fascist who became Norway’s puppet ruler under the Nazis, is heard in the film, the man himself—whose name became a synonym for “traitor”—is not seen. Just after midnight on 10 April, the German paratroopers attack a roadblock at Midtskogen, and are beaten back by the Norwegian volunteers. It is a co-production of Norway, Sweden, Denmark, and Ireland,[1][5] and was selected as the Norwegian entry for the Best Foreign Language Film at the 89th Academy Awards. Brynjar Hammer, Godfrey Cheshire is a film critic, journalist and filmmaker based in New York City. He has written for, CIFF 2020: Black Perspectives Program Highlights Diverse Voices, CIFF 2020: The Roger Ebert Award Returns to Champion New Voices, Immerse Yourself in Martin Scorsese’s World Cinema Project #3. At Nybergsund, the Cabinet meets to discuss Bräuer's request to meet the King alone to end the hostilities. Of course, when the king made his famous speech after Chamberlain had declared war on Germany, none of those high-ranking officials who appear with him in the film were present. as King Haakon VII of Norway, Anders Baasmo Christiansen The film focuses on King Haakon VII and the Norwegian Royal Family in the days before and immediately after the German invasion of Norway in April 1940. Early the following morning, Bräuer brings the German offer to Foreign Minister Halvdan Koht; after consulting the Cabinet, Koht refuses, stating that Norway is a sovereign nation. Godfrey Cheshire is a film critic, journalist and filmmaker based in New York City. Although at 133 minutes the film could stand some tightening, it remains gripping and well-acted throughout. I don't mind these things at all. Rather, claiming that the British have mined Norway’s coast, the Nazis essentially say they want to help the country maintain its neutrality and are open to negotiations for what will be, in reality, an outright surrender. Julia Andersen New York. At the German embassy in Oslo, German envoy Curt Bräuer is instructed by military attaché Lieutenant-Colonel Hartwig Pohlman to encourage the Norwegian government to allow German troops into the country, under the pretext of defending Norway from a British invasion. Despite having received no instructions from Oslo to engage, Eriksen considers the German ship to be hostile and gives the order to fire, and the fortress's guns and torpedo battery sink the Blücher. Meanwhile, at Oscarsborg Fortress near Drøbak, Colonel Birger Eriksen prepares his undermanned and inexperienced garrison for combat, while receiving reports from the outlying fortresses of incoming German ships.
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