Voor het eerst werd bij deze opname gebruik gemaakt van een spectrum follower, het prototype van een vocoder. You
might also wish to study several of its single frames for
details.) We were too busy at the time to
remember to track it down - the usual when new albums are
being released. So I felt in good
company (understatement) to be asked to be included in such
a list. 239 likes.
The eventual result? The one to its right has a lotta illegible rack
gear in close-up, while I sit on the floor and was asked to
"look sternly at the camera, no smiles"... That's what you
want, that's what you got ... next? Since Murray Brenman had done such a fine job with
the Audion release, collaborating with us during many
pleasant meetings, we tried to retain his good work,
expanding on it with several newly minted graphic elements. Although my current
studio is a very comfortable workspace, as you can see below
(also as we get more current images of it up here), this was
a special place, thanks particularly to Rachel's
sense of design and theater.
Op Beauty in the beast uit 1986 experimenteerde Carlos met het concept van reine stemming, waarvoor ze variabele instelschalen gebruikte die ze zelf geconstrueerd had. I waited a couple of weeks (until a few odd
technical networking problems had been solved) to add this
to our website, but it's all working fine at last. Two long new CD tracks highlight many
of the original experimental discarded attempts behind the
first two albums. What constitutes the legendary? That was fine for Frank. It has
taken five years to reach this stage, but we wanted to do
things right. There was no stopping her, she saw what was going on, and
wanted to be in the middle of it. In feite was dit het eerste ambientalbum in de popgeschiedenis. to
the structural walls and so we were unable to remove them
without utterly destroying them. There's
a similar shot as
this in the S-O
Bach 2000
booklet, which you may have seen. Meanwhile, thank you, Frank, for being so well
prepared, and for putting together such a nice document of
an interview I won't soon forget! I was slightly concerned it might end up
chopped into pieces with little context or continuity, or
that it might garble our thoughts.
And see all
our albums on the discography page
HERE. Then Jem went bankrupt, and tracking
anything became impossible. But it
was a wonderful learning process, and most gratifying to
return to the concept we'd originally envisioned, before CBS
had ideas of its own. He used to say: ‘there are only two kinds of science: physics and butterfly collecting,’ thanks for allowing me to share a few of my favorite butterfly specimens with you.”. Digital moonscapes uit 1984 bestond als eerste uit geheel met digitale synthesizers geproduceerde muziek. In the end the
reproduction still came out a bit dark, but is much improved
over the original Jem versions. It took a few tricks to make it record well, like the
synchronizing of the four bias oscillators. Her website contains many splendid photographs of solar eclipses from all over the world, taken since the early 1970's. Carlos is vooral bekend vanwege haar pionierswerk op het gebied van elektronische muziek en synthesizers en de soundtrack van A Clockwork Orange. Note:
the vocoder modules have not been used much since
purchasing a Synton SPX 216 unit in 1985. Read all about these four titles, and audition /
purchase the
new deluxe editions from our
Discography page HERE.
All projects embraces three
factors: Quality, Cost, and Time -- pick any two. The short answer was : slowly and
wonderfully. Don't get
such respect very often. Digital oscillators provided
ultra-stable tuning, even in any arbitrary tuning scale. Here's
some additional information, to give you a preview. For the moment
its main use is only for copying old master tapes to
digital, and for that it works surprisingly well. Carlos. In reality, the curving is not so much
distortion as the accurate depiction of each element in a
spherical mathematical projection not unlike
map
projections. In this view
we are behind the console, in front of a two-track Ampex,
and are looking to the right of the previous view. Some bemoaned the
loss of "Secrets of
Synthesis," when CBS's contract expired, and that
album sold out, over a decade ago, as with our more popular
titles, like the Switched-On series. Unless you consider “academic” books a form of contact sport, you really might want to reconsider your time and money. End
of a L-o-n-g Haul...
Two final CBS/Sony
albums, in new deluxe CD editions,
"By
Request"
(left) and "Secrets
of
Synthesis"
(right)
It has
taken five years to reach this stage, but we wanted to do
things right. Where the originals were
not available to us any longer we came up with all-new
artwork which suits the albums better than the originals. If you don't have the time to read the whole
thing, that would be your best bet, read
it HERE. "Um.
(Just for the record,
you can see the earliest index page photo
of me HERE,
and then the photo used for about six years until
early this year HERE.) It was great fun to showoff
my homemade Wurly
II pipe organ emulation
for them with a mini-concert, and show how the rest of the
studio had grown and changed.
It's also mentioned on the
additional new notes. Aside from setting up
the camera gear, I had nothing to do with the video editing
and assembly. But here is what we posted after sending the
masters to the factory: Many
of you have been asking how the work was going on
the Switched-On Boxed
Set. This was an ideal way to proceed, but
took much more time and work than the routine transfers of
the vast majority of CD remasters.
(Most of the good photos of me on this page and
elsewhere are are thanks to Vernon's handiwork.) - personalize content, search, recommendations, and offers
Once that
looked pretty good, we scheduled a get together, which took
place this January 18th, right after dinner.
She says, “we can at last treat them with diligence, introspection and respect. Two long new CD tracks highlight many
of the original experimental discarded attempts behind the
first two albums. The
Broadway Studio,
beginning to get filled-up. Though often excluded from the official narrative, Carlos’s work with Bob Moog was highly influential to the creation of the eponymous innovation that was the Moog Synthesizer (the instrument Carlos uses on Switched-On Bach).
The project took over a year to complete, in
several stages, as master tapes were played, cataloged and
transferred to new digital masters. That is how the famous "Quality
Triangle" operates. Though this was certainly a turning-point for Carlos, the interview was not necessarily the introduction into the public she had trusted Playboy with delivering. We are left with a totality visible only in pieces, and perhaps this is how she always wanted it to be. The covers and graphic elements have been reworked
from often faded, aging originals. This slim, mean-sprited volume is based on several false premises.
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