yoshitomo nara website


To make artwork enquiries, follow artists and galleries, save and share artworks and receive our newsletter. Ask me No Question ! He subsequently did return to work, and in 2016 the Asia Society recognised the artist by awarding him one of three prestigious Asia Arts Game Changer awards. Even if I knew there would be no one out there to look at my work, I would still make the exact same thing.’, Christie’s Online Magazine delivers our best features, videos, and auction news to your inbox every week. Thursday, October 15, 2020 5pm PT / 8pm ET Tune in on Instagram Live @blumandpoe Yeewan Koon is the author of Yoshitomo Nara, published by Phaidon. Today, Nara’s images of children from the early 2000s — described by a 2020 Phaidon monograph as ‘those big-headed girls’ — are considered among his most important and sought-after compositions. For access to motion picture film stills please contact the Film Study Center. ‘I was a foreigner and I had no language skills, so I felt very much isolated,’ he said. Nara's portraits present a fusion of old and new traditions. He is best known for sculptures, drawing, and paintings of cute children and animals that on closer inspection appear menacing.

Yoshitomo Nara is a leading global contemporary artist whose practice first came to the fore in the context of Japan's influential Pop art movement. While the figure's cartoon-like features can give it an innocent and 'cute' appearance, its actions often suggest an underlying subversiveness; Nara has painted the figure smoking a cigarette, brandishing a knife or crucifix, sporting vampire fangs, and simply staring directly and insolently at the viewer, amongst other scenarios. This record is a work in progress.

Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala.

1959), Rock You, 2010. During this time, he also painted his first portraits of the child that has become the most recognisable motif in his practice. Yoshitomo Nara was born in 1959 in Hirosaki, a city known for its traditional Edo Period (1603-1868) architecture and cherry blossom trees, in Japan’s mountainous northern Aomori Prefecture. Nara has had nearly 40 solo exhibitions since 1984. In 2001, Nara's figures achieved global acclaim and recognition with I Don't Mind, If You Forget Me, his first solo exhibition in a public museum, co-organised by the Yokohama Museum of Art, Ashiya city Museum Of Art & History, Hiroshima City Museum of Contemporary Art, Hokkaido Asahikawa Museum of Art, and Hirosaki's Yoshii Brick Brewhouse. Scan the QR Code via WeChat to follow Ocula's official account.

It reminded me of who I am and helped me rediscover myself.’. There was no museum where I grew up so my exposure to art came from the album covers.’, Yoshitomo Nara (b. After 12 years in Germany, Nara returned to Japan, where a seminal solo exhibition I DON'T MIND, IF YOU FORGER ME  was held at the Yokohama Museum of Art in 2001.

Yoshitomo Nara (b. His art work has been housed at the MoMA and the Museum of Contemporary Art, Los Angeles (MOCA). Estimate: $250,000-350,000. Acrylic on panel. By visiting our website or transacting with us, you agree to this. View top-priced Nara works sold at Christie’s. We look at how the artist’s work blends new and old ideas of Japanese identity — illustrated with lots offered at Christie’s, Yoshitomo Nara was born in 1959 in Hirosaki, a city known for its traditional Edo Period (1603-1868) architecture and cherry blossom trees, in Japan’s mountainous northern Aomori Prefecture. We have sent you an email containing a link to reset your password. The artist's sculptures, which for the most part present the child in three-dimensional form, are often coated in a liquid metal that cracks like the glaze on Song dynasty Chinese ceramics. The child's facial features—widely spaced eyes, stubby nose, slit mouth—are adopted from traditional Japanese Otafuku and Okame theatrical masks, while the poses are associated with anime and manga, and the overall compositions are reminiscent of Edo period ukiyo-e woodblock prints. A major retrospective is scheduled to open at the Los Angeles County Museum of Arts in late 2020. Other superflat artists include Takashi Murakami and Chiho Aoshima. The youngest of three boys of working parents, he spent much of his free time lost in Japanese comic books. 1959), The Girl with the Knife in Her Side, 1993. Whether the characters wield guitars or outsize knives, they have made Nara a genuine crossover artist, taken seriously by the commercial, critical, and academic branches of the art... ‘Contemporary art is not a decoration, it is a statement. Hey Hey Hey!") Around 2001, Nara became associated with an avant-garde group of Japanese artists known as Superflat, which also included Takashi Murakami and Chiho Aoshima. The child, who Nara noted in an interview with Ocula Magazine is neither boy nor girl, usually appears as a sole figure against a plain background, dressed simply. The modern and contemporary art auctions have been delayed and moved to the other side of the world. On the occasion of receiving this award, Nara spoke to Ocula Magazine about his work and the award, noting that 'I know the general public like me but I was always unsure if professionals in the art world appreciate what I do.'. Visitors will find him in a 1930s-style living room hidden among the gallery booths filled with abstract paintings and polished sculptures. His compositions also nodded to historical Edo period ukiyo-e  woodblock prints. In sculpture as in painting, Nara again harmonised modern and centuries-old crafts. ‘It was like growing up in Aomori, which is very much disconnected from Japan. As Nara once said of his work, ‘I kind of see the children among other, bigger, bad people all around them, who are holding bigger knives.’. The monumental Can’t Wait till the Night Comes  (2012), which is over six feet in height and sold for HK$92,875,000 in its own dedicated sale in Hong Kong on 23 November 2019, has been selected for forthcoming exhibitions planned around the world. Around this time the artist came to be loosely associated with an avantgarde group of Japanese artists who gathered together under a newly coined art term: superflat. It is a wonderful ­seismograph of our societies and realities.' By visiting our website or transacting with us, you agree to this. 1. The style of his artwork is often associated with popular culture, from manga and anime to the graphics on music album covers, but it equally engages with Japanese visual traditions and Western Modernism. But it is at his own gallery space, N's YARD in Nasushiobara, where I meet with the artist after an hour-long train ride from Tokyo back in April. ‘The whole area between us and Fukushima was devastated; the whole scenery I was familiar with has been destroyed.

Nara was transformed by his time in Germany . His most well-known and repeated subject is a young girl with piercing eyes. It sold again at Christie’s in Hong Kong for HK$19,720,000 in 2015. Estimate: $600,000-800,000. Yoshitomo Nara Yoshitomo Nara (奈良 美智, Nara Yoshitomo, born 5 December 1959 in Hirosaki, Aomori Prefecture, Japan) is a Japanese artist. For some people with no relation to the area they may be affected as an artist, but in my case I was a lot more affected on a personal level because I know people who were lost.’.

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